How Festival Vaping Culture Transformed British Music Events
From the muddy fields of Glastonbury to the electronic beats of Creamfields, I've watched festival vaping go from a handful of proper nerds with massive mods to the mainstream thing it became before the great disposable disaster of 2025.
After ten years of getting absolutely caked in mud at festivals and nearly a decade chonging on vapes, I've seen some insane transformations that nobody saw coming.
What started as a few determined ex-smokers sneaking clouds behind burger vans has become a massive part of modern festival culture, complete with its own unwritten rules, environmental rows, and generational arguments that'd make Christmas dinner look peaceful.
The journey from "what's that weird thing?" to everyone having one to the current "let's not trash the planet" era tells a story way bigger than just vaping - it's about how festival communities actually sort themselves out when things get mental.
The early days were absolutely bonkers compared to now.
I remember when bringing a vape to a festival marked you as either a good ol’ tech geek or someone dead serious about packing in the cigs. Security guards hadn't got a bloody clue what those weird tube things were, and other punters looked at your clouds like you were performing some sort of dark magic.
But it didn't take long for conversations to shift from "what the hell is that?" to "where can I get one?" as smokers watched vapers getting their nicotine fix without the constant faff of finding dry cigarettes or lighters that actually worked after getting soaked.
By 2025, the disposable ban completely changed everything.
Everyone's moved on to proper refillable devices like the Lost Mary BM6000 with its smart refill technology and Bloody Bar 20K with its massive 20,000-puff capacity - devices that actually work properly without turning festival sites into environmental disaster zones.